{"id":86,"date":"2026-04-21T16:10:11","date_gmt":"2026-04-21T16:10:11","guid":{"rendered":"https:\/\/maximepaillassou.com\/?page_id=86"},"modified":"2026-08-01T14:32:15","modified_gmt":"2026-08-01T14:32:15","slug":"devenir-fantome","status":"publish","type":"page","link":"https:\/\/maximepaillassou.com\/index.php\/devenir-fantome\/","title":{"rendered":""},"content":{"rendered":"\n
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maxime paillassou<\/a><\/p>\n<\/div>\n<\/div>\n\n\n\n

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devenir fant\u00f4me – partie 1<\/strong> (becoming ghost – part1) (2024), sound installation, audio loop, 28\u201900\u2019\u2019, 3D printed objects and various electronic materials, HEAD-Gen\u00e8ve (CH), with Aurore Paillassou, Ambre Grelon, Harry Shread, Ana\u00efs Lebranchu, Vinciane Paillassou, Daggo Abouna Doya-Djibrine, Philippe Grelon and Pierre Vanot<\/p>\n<\/div>\n\n\n\n

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Cylindrical and whitish objects emit voices that hum and whistle in the darkness. Mixed voices with distinct ranges compose with the silence. Sometimes in unison, sometimes as interference, they hum texts from the collection devenir fant\u00f4me<\/em> (2024). The installation unfolds long moments of waiting, a kind of anti-choir of agreements and disagreements. Human voices create tension with those of automated voice assistants, foreshadowing an immaterial and latent vocal community. Playing on a loop, the soundtrack runs continuously, manifesting a life outside our own, indifferent to our actions and attention.<\/p>\n<\/div>\n\n\n\n

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